希腊文罪-hamartia

1. Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.
   当代的后现代剧场的举动地面为执行的悲剧，从hamartia的个人悲剧英雄以悲剧英雄的无力有机构超过自己的生命，甚至没有自由意志作出的错误。
2. Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero`s inability to have agency over his own life, without even the free will to make mistakes.
   同时代的后现代作品，已经从个别的悲剧性的英雄的悲剧性的错误，移动到了悲剧性的人物无法自主自己的生活，甚至无法自主控制不去犯错误。已经由典型的希腊式的，命运由上帝主宰变化成个体的思想被现实和经历所磨砺。
3. In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia .
   在第十三章，亚里斯多德描画了一个悲剧中心角色－－悲剧主人公的理想，并指出该角色的堕落是因为一种叫「悲剧性缺陷」的东西。
4. An instance is provided by Aristotle's famous saying that the typical tragic hero is one who falls from high state or fame, not through vice or depravity, but by some great _hamartia_. _Hamartia_ means originally a 'bad shot' or 'error', but is currently used for 'offence' or 'sin'.
   亚里斯多德的一句名言提供了一个例证：典型的悲剧英雄是这样的人，他从高尚生活或者名誉中跌落并非由于罪恶或者堕落，而是由于某种巨大的"hamartia"，"hamartia"的原意是"坏的尝试"或者"过失"，但现在用为"冒犯"或者"罪恶"。
http://www.ichacha.net/hamartia.html